Showing posts with label digital history. Show all posts
Showing posts with label digital history. Show all posts

Monday, 7 June 2010

Historypin: Patchwork History


Our deputy editor, Charlotte Crow, reviews a new digital picture archive, Historypin, launched last week.

by Charlotte Crow,

What aims to be ‘the greatest picture story book on Earth’, Historypin, launched in London at the end of last week. The project was created by the social ideas group We Are What We Do in collaboration with Google, the technical and financial facilitator behind a venture that promises to add a new dimension to digital history.

We Are What We Do is an off-shoot of Community Links, a non-profit organisation founded in East London in 2004 to tackle the causes and consequences of social exclusion in fresh and imaginative ways. The aim of this latest project is to stimulate interaction between different generations by seeking positive ways to bring them together: older people by communicating their experiences and stories and younger people by sharing their digital skills.

Historypin is about creating a reason to uncover from attics and garages forgotten old pre-digital photographs of outdoor locations, peopled or not. These can then be scanned and uploaded onto the Historypin website and ‘pinned’ onto Street View via Google Maps along with a date, caption and personal story. Pictures are layered onto modern Street View scenes (the Museum of London launched an App with a similar function for historic stills of the capital on June 2nd) so that users can ‘walk’ down a virtual memory lane exploring how a neighbourhood once looked and gleaning anecdotal details via contributor’s written reminiscences. The idea is to build a vast, random archive of images and human recollections with an interactive dimension. Ideally a young and an old person will have participated jointly in this process and Historypin plans plenty of outreach projects with schools and old people’s homes to get the necessary dialogues going.

Thanks to Google, the capacity for holding material is not an issue. Photographic and local history archives are encouraged to get on board and this may well prove a positive, cost-free way for them to showcase their images (copyright of all material remaining with the owners). Currently the focus is on photographs as the memory pins, though other material such as paintings and drawings can also be tagged. Historypin will develop links with oral history projects with the view to enable audio material to be tagged as well.

With its emphasis on dating and captioning, supervised by a team of moderators, Historypin hopes to increase a broader sense of historical awareness. In airing what commercial archives would consider in many cases to be worthless, mundane pictures, it will help to develop an appreciation for a non-commercial, non-dramatic version of the past that nevertheless can still tell us much.

Yet whatever the potential this endeavour might hold for social and local historians and those wishing to connect with the past, the greater motive of Historypin is to connect people with each other by cultivating curiosity and mutual interest. With a widening divide between young and old in the fast moving digital age and the isolation experienced by many older people in an aging population, this is a positive and worthwhile ambition.


Images
(Trinity Mirror Archive):
- Street party for Queen Elizabeth's Silver Jubilee, Children from Methley Street and Radcot Street, London, June 7th, 1977
- Family on holiday in New York City, Peter and Joan Udell with their children Christopher and Jennifer, January 12th, 1969

Thursday, 4 February 2010

Rats and murder in the National Portrait Gallery

by Kathryn Hadley


The National Portrait Gallery announced yesterday, Wednesday February 3rd, the launch of its archive catalogue online. Featuring papers belonging to the various directors of the gallery, minutes of the gallery’s committees, publicity material, press cuttings, as well as records on acquiring, conserving and displaying new portraits, organising and staging exhibitions and managing and developing the building, the archive provides an insight into the history of the gallery since its foundation in 1856.

In a document dated February 26th, 1909, the director of the gallery at the time, James Milner, reports on a murder and suicide in the gallery which occurred two days earlier.

‘A well-dressed elderly man and woman… proceeded towards the end of the East
Wing, where they could have been only a few minutes… when a pistol shot was
heard in that direction… Both were shot through the head… when I arrived the
woman was still living but the man was apparently dead… both were swathed in
blood’.

Other archived documents include a list of the rats ‘trapped and killed in the Gallery’ during two outbreaks, between 1940 and 1946, giving the date, the place the rat was seen, and who killed it and how. Two rats were, for example, found trapped in the Library. One was ‘speared by Pittock with [a] poker after it had escaped with great excitement’; the second was ‘drowned by Pitkin’.

Records relating to the First and Second World Wars document the efforts of the gallery’s directors to ensure the safety of the nation’s portraits. During the First World War, some portraits stored in the King Edward Building Post Office Tube Station near St Paul’s Cathedral where they were guarded by gallery staff carrying guns; others were stored at Aldwych station. A search for the Second World War yields a series of papers describing the transportation and subsequent storage of the gallery’s portraits at Mentmore stately home in Buckinghamshire.

Papers of former gallery directors include those of Sir Lionel Cust, who was director of the National Portrait Gallery from 1895 to 1909, and Sir Roy Strong. Sir Roy Strong became assistant keeper of the National Portrait Gallery, in 1959, and director eight years later. Aged 32, he became the youngest director of the gallery.

Yesterday’s launch is the culmination of a two-year project and approximately one third of the gallery’s archive has currently been catalogued. Records continue to be added on a daily basis. A month ago, the gallery received a grant from the National Cataloguing Grants Programme for Archives to catalogue the papers of Sir George Scharf (1820-1895), the first Secretary, Keeper and Director of the National Portrait Gallery. His papers cover the first 38 years of the gallery’s existence and are due to be included shortly in the online catalogue.

Sir George Scharf was appointed director in 1857. His papers include around 230 notebooks and sketchbooks, which range from business to personal and family records and document the National Portrait Gallery’s formative years when there was a growing interest in national identity and awareness of the role that portraiture might play in representing British history.

The National Portrait Gallery has also implemented an online catalogue of the Gallery’s library collection, which currently lists almost 10,000 items including published books, periodicals and electronic resources.

To search the archive, visit http://archivecatalogue.npg.org.uk/


Images:

- National Portrait Gallery, Long Gallery, 1885 (National Portrait Gallery, London)
- 1909 Gallery Warding Staff (National Portrait Gallery, London)
- War-time portrait store in the Billiard Room at Mentmore House, with wardens, 1940s (National Portrait Gallery, London)

 
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